Elliott Morris – Lost and Found

Album Review | Dominoes Club Records | Review by Allan Wilkinson | Stars: 3/5

With a string of EPs under his belt, Lincolnshire-based singer-songwriter Elliott Morris has finally released his long-awaited full-length debut record, an album of finely-crafted originals that are accompanied by some highly accomplished arrangements (“One More Day”, “Let it Out”) and trademark guitar playing (“The End of the World Blues”, “I’m a Stranger”). Hard-working, dedicated and strongly in touch with his own abilities as a musician, the young singer/guitarist effortlessly straddles the fence between established folk mannerisms and his own pop sensibilities, with eleven accessible songs with engaging melodies, often utilising his now familiar percussive guitar slapping technique, but at the same time avoiding the overtly flashy or showy affectations that often come with the practice. His half English, half Scots background lends itself to crossing of borders both physically and metaphorically with an eagerness to play and an energetic and demanding touring schedule. No overnight success, Elliott has worked the clubs, festivals and concert halls for a good few years, which seems incredible judging by his youthful looks. But there again, he started early. Produced in Scotland by Mattie Foulds, Lost and Found features an impressive cast of musicians including Paul Carrack, Innes Watson, Mike Vass, Laura-Beth Salter, Lisbee Stainton and Alan Thomson. The first album of hopefully many.